Haunting House in the Gateway City

OPERA TODAY

We had to wait for Act II for the tall and playful bass-baritone Christian Pursell to take the stage, but when he entered, he owned it. Mr. Pursell’s substantial orotund sound, musicality, and charismatic demeanor were wholly winning. His and Mr. Austin’s love duet about Valancia was arguably the highpoint of an evening that was chockfull of them.

JAMES SOHRE

Opera Theatre’s Premiere Of “This House” Delivers Haunting Beauty But Falters Under Narrative Sprawl

POP LIFE STL

Baritone Justin Austin brings supple emotional nuance to the role of Lindon, Ida’s son, while Christian Pursell lends warmth and pathos to Thomas, Lindon’s lover.

CHAS ADAMS

Review: THIS HOUSE at Opera Theatre Of St. Louis

BROADWAY WORLD

And when Lindon’s gay lover Tom (Christopher Pursell) arrives to urge Lindon to come with him to Spain … Wow!! Things get suddenly OPERA! I never realized how gorgeously dramatic the word “Valencia!” is. When sung with such an astonishing voice as Mr. Pursell’s it is a very fanfare—it’s almost an opera in itself!

STEVE CALLAHAN

MasterVoices’ “Blind Injustice” lifts up the wrongly convicted with eclectic music

NEW YORK CLASSICAL REVIEW

Bass-baritone Christian Pursell’s Prosecutor was all fury and inner conflict, his tight dark suit and briefcase fairly bursting with accusations as he resonantly defended his right to “do my job,” but ultimately confessed to doubts about what he had done.

DAVID WRIGHT